I have been working hard on
finishing my short story for the anthology and a re-write of my novel. It is hard work. I don’t use those words lightly at all
because it’s not just the physical where we sit at the typewriter but also the
mental process. It is exhausting to
arrange those words on the page and in the case of a re-write unbelievably
numbing. The irony here is that for me
this is all pre-publishing. I am in
absolute awe of the authors out there that do this as part of the whole process
of a published author. I mean I am
working to my own ideas at present and that is hard enough but when you are
working to feed-back then the pressure is really on. As usual it set me thinking and I remembered reading
a brief article not so long ago, discussing errors writers make, common errors,
five (5) in fact. Of course there are a lot more but let’s narrow them down for
the moment as feeling overwhelmed is as always a short panic-stricken breath
away.
I am hoping you find this post helpful
like I did the article for the now. By this I mean right this second because you
are at a stage in your work where you want to walk away because getting it
right is so difficult. I needed a reminder
as I was writing. I needed it whilst I
was actively involved in the process. It
might sound strange but I find it reassuring when I am struggling with putting
pen to paper to look at things that I do know but like most of us often
forget when bent over the keyboard.
Another reminder came to mind just then – there are a lot of ‘us’. Indeed it is frightening the number of
authors out there in contrast to the few that publishers actually choose. These points or common errors come directly
from information collected from publishers.
The surprising thing is how often theses same mistakes are repeated by
so many. Or is it? When the muse is in control it is difficult to
stop and second-guess yourself. We just
write just like I am doing now with my fingers whilst my brain prays I am not
making too many errors, and here I mean grammatical never mind anything else.
So what these common mistakes? I hate this first one -Reporting instead of Writing Scenes. Unless
the reader can engage then we lose them.
Trusting yourself as an author to let the reader work it out is
hard. Authors are such babies at times
and sub-consciously beat themselves up with worry that the reader has missed
the point. Well, the reader won’t even
bother to keep turning the pages never mind finding the point if all we do is
report facts and events. Readers need to
feel part of the action to suspend their disbelief. You know this, I even know
this in my fledgling stage but I still make that error and so do the
professionals. What to do? Simple! We
need to keep writing and finish and then go back and read our work like a
reader would (Good Luck with that!).
What to really do? Simple! We have to hand it over to someone else but
before it goes to the publisher. I have my beautiful ladies but it still isn’t
enough. We know that though. We know even as a strong unit we may miss
things but knowing and acknowledging is a good start.
Another common error isBoring Dialogue. This
is really hard because often we rely on this to engage the reader. My friend Sue recently read a scene I wrote
to explain something. She said it was
great dialogue but could I cut at least two thirds of it out? I mean as in
completely out and yes I am groaning in pain as I remember this and tell you
about it. The dialogue was fine but it did not advance the story and it explained
a conflict way too soon that wasn’t even between the two talking. Why would the reader keep reading? So even when you get it right you can still get it
so wrong? Yes you can because you have
over-told, become bland, or worse gotten caught up in irrelevant and boring chit-chat that may
happen in real-life forgetting a reader has a short time span to engage in our
fantasy. We have to make it time
effective and enthralling. Damn, why did I give her that piece to read? I love you Sue but couldn’t you have lied
just a little?
The third error
is the Talking Heads and
my reaction is this next ungrammatical and completely nonsensical reply. Oooooooooohhhhhhhnnnnnnnnnnnooooooooooooo! I know I do this one all the time especially
in my dialogues. The article rightly says that you “do not want
your readers to read your dialogue while trying to guess where your characters
are or what they are doing.” Somewhere
in all of this is the fine line between telling, doing, surroundings, speaking,
moving and sensory details. Where did
that last one come from? Yep! If you
guessed the next mistake then I hate you but you did guess right. If we are to not engage our reader then the Absence of Sensory Details is
essential to our downfall. There is no
fine line with this one except in our choice of syntax perhaps. Sensory details
are what stand between being absorbed into the drama or sitting on the
sidelines waiting for it to end. The
article says it very well when it says that “readers need to
know what your characters hear and see, the scents they are inhaling and the
feel of the objects around them.” It
engages the imagination by giving them something to relate to that is vibrant
and real.
And so we reach the last but not least of our
five common mistakes - Failing
to Provide Conflict. I
could say it is the last one because it is the easiest to correct and
understand but then you may never believe a word I say again. The conflict is the icing on the cake but
that icing needs to be spread throughout the cake so cutting the cake into
layers and icing between is a very fine idea.
If the icing sits just on the top it is nice but disappears too quickly. We need to savour every mouthful so that
going back for more may be a sin but one we are willing to take a chance
on. The icing on the top may be the
conflict (main) of your leads but the icing in the layers lingers on the tongue
creating “an element
of surprise and keeps things fresh and interesting.” Conflict needs to vary in levels and sources throughout
the novel and is an art that requires lots of effort.
Five simple
things and yet without these things the words on the pages are there but
not alive and captivating. I really do
have to stop reading these articles as my head then is so full of ideas I feel
may eventually end in an explosion but like my writing I can’t. I want to know things, be reminded of things
and I want to grow. I may not succeed
but the feeling is quite good knowing I am trying, and maybe this time I may
get some of it right. In the meantime my
heartfelt thanks to the writers that do get it right and engage this reader. I survive each day because of them and the
pleasure they bring. To read more at the source go to: https://www.chatebooks.com/blog-Writing-Fiction-The-5-Common-Mistakes-Authors-Should-Avoid